(Compare Exodus 36:8-33.) The tabernacle was to comprise three main parts, the tabernacle Exodus 26:1-6, more strictly so-called, its tent Exodus 26:7-13, and its covering Exodus 26:14 (Compare Exodus 35:11; Exodus 39:33-34; Exodus 40:19, Exodus 40:34; Numbers 3:25, etc.). These parts are very clearly distinguished in the Hebrew, but they are confounded in many places of the English Version (see Exodus 26:7, Exodus 26:9, etc.). The tabernacle itself was to consist of curtains of fine linen woven with colored figures of cherubim, and a structure of boards which was to contain the holy place and the most holy place; the tent was to be a true tent of goats' hair cloth to contain and shelter the tabernacle: the covering was to be of red rams' skins and "tachash" skins Exodus 25:5, and was spread over the goats' hair tent as an additional protection against the weather. On the external form of the tabernacle and the arrangement of its parts, see cuts at the end of the chapter.

Exodus 26:1

The tabernacle - The משׁכן mı̂shkân, i. e. the dwelling-place; the definite article regularly accompanies the Hebrew word when the dwelling-place of Yahweh is denoted. But in this place the word is not used in its full sense as denoting the dwelling-place of Yahweh: it denotes only the tabernacle-cloth Exodus 26:6. The word is, in fact, employed with three distinct ranges of meaning,

(1) in its strict sense, comprising the cloth of the tabernacle with its woodwork (Exodus 25:9; Exodus 26:30; Exodus 36:13; Exodus 40:18, etc.);

(2) in a narrower sense, for the tabernacle-cloth only (Exodus 26:1, Exodus 26:6; Exodus 35:11; Exodus 39:33-34, etc.);

(3) in a wider sense, for the tabernacle with its tent and covering (Exodus 27:19; Exodus 35:18, etc.).

With ten curtains - Rather, of ten breadths. Five of these breadths were united so as to form what, in common usage, we should call a large curtain Exodus 26:3. The two curtains thus formed were coupled together by the loops and taches to make the entire tabernacle-cloth Exodus 26:6.

Of cunning work - More properly, of the work of the skilled weaver. The colored figures of cherubim (see Exodus 25:4, Exodus 25:18) were to be worked in the loom, as in the manufacture of tapestry and carpets (see Exodus 26:36 note). On the different kinds of workmen employed on the textile fabrics, see Exodus 35:35.

Thou shalt make the tabernacle - משכן mischan, from שכן shachan, to dwell, means simply a dwelling place or habitation of any kind, but here it means the dwelling place of Jehovah, who, as a king in his camp, had his dwelling or pavilion among his people, his table always spread, his lamps lighted, and the priests, etc., his attendants, always in waiting. From the minute and accurate description here given, a good workman, had he the same materials, might make a perfect facsimile of the ancient Jewish tabernacle. It was a movable building, and so constructed that it might be easily taken to pieces, for the greater convenience of carriage, as they were often obliged to transport it from place to place, in their various journeyings. For the twined linen, blue, purple, and scarlet, see Clarke's note on Exodus 25:4, etc.

Cherubims - See Clarke's note on Exodus 25:18.

Cunning work - חשב chosheb probably means a sort of diaper, in which the figures appear equally perfect on both sides; this was probably formed in the loom. Another kind of curious work is mentioned, Exodus 26:36, רקם rokem, which we term needle-work; this was probably similar to our embroidery, tapestry, or cloth of arras. It has been thought unlikely that these curious works were all manufactured in the wilderness: what was done in the loom, they might have brought with them from Egypt; what could be done by hand, without the use of complex machinery, the Israelitish women could readily perform with their needles, during their stay in the wilderness. But still it seems probable that they brought even their looms with them. The whole of this account shows that not only necessary but ornamental arts had been carried to a considerable pitch of perfection, both among the Israelites and Egyptians.

The inner curtains of the tabernacle were ten in number, and each in length twenty-eight cubits, and four in breadth; about sixteen yards twelve inches long, and two yards twelve inches broad. The curtains were to be coupled together, five and five of a side, by fifty loops, Exodus 26:5, and as many golden clasps, Exodus 26:6, so that each might look like one curtain, and the whole make one entire covering, which was the first.

Moreover, thou shalt make the tabernacle,.... Which he was ordered to make before, the pattern of which was shown him in the mount: this was an habitation for God to dwell in, as the word properly signifies, and into which the furniture before described was to be put; this tabernacle was a type both of the human nature of Christ, which is the true tabernacle which God pitched, and not man, the greater and more perfect one, Hebrews 8:2 in which the fulness of the Godhead dwells bodily, where the glory of God is seen, in whom he grants his gracious presence to his people, and accepts of them and their sacrifices of prayer and praise; and also of the church of God, Psalm 43:3. Here Jehovah dwells, grants his presence to his people, and comes and blesses them; here he is worshipped, and spiritual sacrifices are offered up to him with acceptance: the tabernacle of Moses was made

with ten curtains of fine twined linen, and blue, and purple, and scarlet; the ground of these curtains was fine linen, twined or doubled: and the Jewish writers, as Maimonides, Ben Gersom, and others, say it was six times doubled, the word "Shesh", here used, signifying six; and this was interwoven with threads of yarn dyed blue, purple, and scarlet; according to Jarchi, the threads of which this tapestry was made were twenty four times doubled: he observes,"there were four sorts in every thread, one thread of fine linen, and three of wool, and every thread was doubled six times; lo, the four sorts, when they were twined together, there were twenty four double to a thread;''which if so, must make a stuff of a very great consistence and stiffness. This, as applied to the human nature of Christ, the fine linen may denote the purity of it; the various colours the different graces of the Spirit, with which it is adorned; or else the wounds, bruises, bloodshed, sufferings and death he endured in it: as applied to the church, may signify the clothing of the saints with the righteousness of Christ, that fine linen clean and white, and their being washed in his precious blood, and beautified with the graces of his Spirit:

with cherubim of cunning work shall thou make them; that is, with figures like those of the cherubim on the mercy seat, so disposed by the curious art and contrivance of the weaver, as to appear on both sides of this tapestry; for this was not wrought by a needle, which only shows the figure on one side, but by weaving, as Jarchi observes; and who says, that there was one figure on one side, and another on another; as, for instance, a lion on one side, and an eagle on the other; or, which is more likely, the same figure was seen on both sides, as Maimonides affirms, who says (e), the work called Chosheb (which is what is here spoken of) is that whose figures appear on both sides, before and behind: this in the mystical sense may point either to the ministration of angels to Christ in his human nature, and to his people the heirs of salvation; or else to the service of Gospel ministers, done for the honour and glory of Christ, and the good of his church and people: Josephus (f) thinks these curtains had a mystical meaning in them, and represent the nature of the elements, and so Philo (g).

(e) Hilchot Cele Hamikdash, c. 8. sect. 15. (f) Antiqu. l. 3. c. 7. sect. 7. (g) De Vita Mosis, l. 3. p. 667.

(cf. Exodus 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth (Exodus 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first (Exodus 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the Egyptians were so celebrated, were made (vid., Hengstenberg, Egypt, pp. 139ff.). The byssus yarn was of a clear white, and this was woven into mixed cloth by combination with dark blue, and dark and fiery red. It was not to be in simple stripes or checks, however; but the variegated yarn was to be woven (embroidered) into the white byssus, so as to form artistic figures of cherubim ("cherubim, work of the artistic weaver, shalt thou make it"). חשׁב מעשׂה (lit., work or labour of the thinker) is applied to artistic weaving, in which either figures or gold threads (Exodus 28:6, Exodus 28:8, Exodus 28:15) are worked into the cloth, and which is to be distinguished from רקם מעשׂה variegated weaving (Exodus 26:36).

Moreover thou shalt make the tabernacle with ten curtains of fine twined linen, and blue, and purple, and scarlet: with cherubims of {a} cunning work shalt thou make them.

(a) That is, of most cunning or fine work.

26:1 The curtains were to be embroidered with cherubim, to intimate that the angels of God pitched their tents round about the church, Psa 34:7. As there were cherubim over the mercy - seat, so there were round the tabernacle. There were to be two hangings, five breadths to each, sewed together, and the two hangings coupled together with golden clasps or tacks, so that it might be all one tabernacle, Ex 26:6. Thus the churches of Christ, though they are many, yet are one, being fitly joined together in holy love and by the unity of the Spirit, so growing into one holy temple in the Lord. This tabernacle was very strait and narrow, but at the preaching of the gospel, the church is bid to enlarge the place of her tent, and to stretch forth her curtains, Isa 54:2.

of cunning...: Heb. the work of a cunning workman, or, embroiderer

Margin fine twined linen Fine linen typifies personal righteousness Rev 19:8. The fine linen here typifies the sinless life of Christ.

Margin blue Blue. Christ's heavenly origin; purple, His royalty as David's son; scarlet, His sacrifice.

Margin cherubims See Scofield Note: "Ezek 1:5".

CHAPTER 26

Ex 26:1-37. Ten Curtains

1. cunning work-that is, of elegant texture, richly embroidered. The word "cunning," in old English, is synonymous with "skilful."

26:1-6 God manifested his presence among the Israelites in a tabernacle or tent, because of their condition in the wilderness. God suits the tokens of his favour, and the gifts of his grace, to his people's state and wants. The curtains of the tabernacle were to be very rich. They were to be embroidered with cherubim, signifying that the angels of God pitch their tents round about the church, Ps 34:7.