House - i. e., workshop. The clay-field where the potters exercised their craft lay to the south of Jerusalem just beyond the valley of Hinnom. Compare Zechariah 11:13; Matthew 27:10.

Go down to the potter's house - By this similitude God shows the absolute state of dependence on himself in which he has placed mankind. They are as clay in the hands of the potter; and in reference to every thing here below, he can shape their destinies as he pleases. Again; though while under the providential care of God they may go morally astray, and pervert themselves, yet they can be reclaimed by the almighty and all-wise Operator, and become such vessels as seemeth good for him to make. In considering this parable we must take heed that in running parallels we do not destroy the free agency of man, nor disgrace the goodness and supremacy of God.

Arise, and go down to the potter's house,.... Which, no doubt, was well known to the prophet; but where it was is not certain. Some think Jeremiah was in the temple, and this house was beneath it, and therefore he is bid to go down to it; but of this there is no certainty, nor even probability: it is most likely that this house was without the city, perhaps near the potter's field, Matthew 27:10; and which lying low, he is ordered to go down to it:

and there I will cause thee to hear my words; there the Lord would tell him what he had further to say to him, and what he should say to the people; and where by lively representations, by sensible objects before him, he would cause him to understand more clearly what he said and designed to do: as God sometimes represented things to the minds of the prophets in dreams and visions, setting before them mental objects, and raising in their minds ideas of things; so sometimes he represented things to them by real visible objects, and, by similes taken from thence, conveyed unto them a clear and distinct knowledge of his mind and will, and they to the people; which was the case here.

The emblem and its interpretation. - Jeremiah 18:2. "Arise and go down into the potter's house; there will I cause thee to hear my words. Jeremiah 18:3. And I went down into the potter's house; and, behold, he wrought on the wheels. Jeremiah 18:4. And the vessel was marred, that he wrought in clay, in the hand of the potter; then he made again another vessel of it, as seemed good to the potter to make. Jeremiah 18:5. Then came the word of Jahveh to me, saying: Jeremiah 18:6. Cannot I do with you as this potter, house of Israel? saith Jahveh. Behold, as the clay in the hand of the potter, so are ye in mine hand, house of Israel. Jeremiah 18:7. Now I speak concerning a people and kingdom, to root it out and pluck up and destroy it. Jeremiah 18:8. But if that people turns from its wickedness, against which I spake, the it repents me of the evil which I thought to do it. Jeremiah 18:9. And now I speak concerning a people and a kingdom, to build and to plant it. Jeremiah 18:10. If it do that which is evil in mine eyes, so that it hearkens not unto my voice, then it repents me of the good which I said I would do unto it."

By God's command Jeremiah is to go and see the potter's treatment of the clay, and to receive thereafter God's interpretation of the same. Here he has set before his eyes that which suggests a comparison of man to the clay and of God to the potter, a comparison that frequently occurred to the Hebrews, and which had been made to appear in the first formation of man (cf. Job 10:9; Job 33:6; Isaiah 29:16; Isaiah 45:9; Isaiah 64:7). This is done that he may forcibly represent to the people, by means of the emblem, the power of the Lord to do according to His will with all nations, and so with Israel too. From the "go down," we gather that the potteries of Jerusalem lay in a valley near the city. האבנים are the round frames by means of which the potter moulded his vessels. This sig. of the word is well approved here; but in Exodus 1:16, where too it is found, the meaning is doubtful, and it is a question whether the derivation is from אבן or from אופן, wheel. The perfecta consec. ונשׁחת and ושׁב designate, taken in connection with the participle עשׂה, actions that were possibly repeated: "and if the vessel was spoilt, he made it over again;" cf. Ew. 342, b. עשׂה , working in clay, of the material in which men work in order to make something of it; cf. Exodus 31:4.

(Note: Instead of בּחמר several codd. and editt. have כּחמר, as in Jeremiah 18:6, to which Ew. and Hitz. both take objection, so that they delete כחמר (Ew.) or כּחמר בּיד היּוצר (Hitz.) as being glosses, since the words are not in the lxx. The attempts of Umbr. and Nag. to obtain a sense for כּחמר are truly of such a kind as only to strengthen the suspicion of spuriousness. Umbr., who is followed by Graf, expounds: "as the clay in the hand of the potter does;" whereto Hitz. justly replies: "but is then the (failure) solely its own doing?" Ng. will have כ to be the כ verit.: the vessel was marred, as clay in the hand of the potter, in which case the כחמר still interrupts. But the failure of the attempts to make a good sense of כחמר does in no respect justify the uncritical procedure of Ew. and Hitz. in deleting the word without considering that the reading is by no means established, since not only do the most important and correct editions and a great number of codd. read בּחמר, but Aquila, Theodot., the Chald, and Syr. give this reading; Norzi and Houbig. call it lectio accuratiorum codicum, and the Masora on Jeremiah 18:6 and Job 10:9 confirms it. Cf. de Rossi variae lectt. ad h. l. and the critical remarks in the Biblia Hal. by J. H. Michaelis, according to which כחמר plainly made its way into the present verse from Jeremiah 18:6 by the error of a copyist; and it can only be from his prejudice in favour of the lxx that Hitz. pronounces כחמר original, as being "the reading traditionally in use.")

Arise, and go down to the potter's house, and there I will cause thee to hear my words.

2. go down-namely, from the high ground on which the temple stood, near which Jeremiah exercised his prophetic office, to the low ground, where some well-known (this is the force of "the") potter had his workshop.

18:1-10 While Jeremiah looks upon the potter's work, God darts into his mind two great truths. God has authority, and power, to form and fashion kingdoms and nations as he pleases. He may dispose of us as he thinks fit; and it would be as absurd for us to dispute this, as for the clay to quarrel with the potter. But he always goes by fixed rules of justice and goodness. When God is coming against us in judgments, we may be sure it is for our sins; but sincere conversion from the evil of sin will prevent the evil of punishment, as to persons, and to families, and nations.