That chant to the voice of the lyre - Accompanying "the voice of the lyre" with the human voice; giving vocal expression and utterance to what the instrumental music spoke without words. The word, which Amos alone uses in this one place, describes probably a hurried flow of unmeaning, unconsidered words, in which the rhythm of words and music was everything, the sense, nothing; much like most glees.

The English margin "quaver" has also some foundation in the root, but does not suit the idiom so well, which expresses that the act was something done "to the voice of the lyre," accompanying the music, not altering the music itself. In fact, they would go together. An artificial, effeminate music which should relax the soul, frittering the melody, and displacing the power and majesty of divine harmony by tricks of art, and giddy, thoughtless, heartless, soulless versifying would be meet company. Debased music is a mark of a nation's decay, and promotes it. The Hebrew music seems to have been very simple; and singing appears to have been reserved almost exclusively for solemn occasions, the temple-service, or the greeting of victory 1 Samuel 18:7. "Singing men and singing women" were part of the state of David and Solomon 2 Samuel 19:35; Ecclesiastes 2:8. Else the music at the feasts of the rich appears rather to be mentioned with blame Isaiah 5:12; Isaiah 24:9. Songs they had Proverbs 25:20; but the songs, for which the Hebrew exiles were celebrated, and which their Babylonian masters required them to sing, "the songs of Zion" Psalm 137:3-4, were the hymns of the temple, "the Lord's song."

And invent to themselves instruments of music - The same pains, which David employed on music to the honor of God, they employed on their light, enervating unmeaningful music, and, if they were in earnest enough, justified their inventions by the example of David. Much as people have justified our degraded, sensualizing, immodest dancing, by the religious dancing of Holy Scripture! The word can mean no other than devised. David then did "devise" and "invent" instruments of music for the service of God. He introduced into the temple-service the use of the stringed instruments, the "kinnor," (the "lyre") and the "nebel" (the "harp") in addition to the cymbals. Whence these, in contrast with the trumpets, are called "the instruments of David" (2 Chronicles 29:26, compare 2 Chronicles 29:25, and 1 Chronicles 15:16, 1 Chronicles 15:19-21, 1 Chronicles 15:24). Probably, in adapting them to the temple-service, he, in some way, improved the existing instrument; having been, in early youth, remarkable for his skill upon the harp 1 Samuel 16:16, 1 Samuel 16:18, 1 Samuel 16:23. As he elevated the character and powers of the, perhaps rude, instrument which he found, and suited it to the service of God, so these people refined it doubtless, as they thought, and suited it for the service of luxury and sensuality. But what harm, they thought, in amending the music of their day, since so did David?

And invent to themselves instruments of music, like David - See the note on 1 Chronicles 23:5; and see especially the note on 2 Chronicles 29:25 (note). I believe that David was not authorized by the Lord to introduce that multitude of musical instruments into the Divine worship of which we read, and I am satisfied that his conduct in this respect is most solemnly reprehended by this prophet; and I farther believe that the use of such instruments of music, in the Christian Church, is without the sanction and against the will of God; that they are subversive of the spirit of true devotion, and that they are sinful. If there was a wo to them who invented instruments of music, as did David under the law, is there no wo, no curse to them who invent them, and introduce them into the worship of God in the Christian Church? I am an old man, and an old minister; and I here declare that I never knew them productive of any good in the worship of God; and have had reason to believe that they were productive of much evil. Music, as a science, I esteem and admire: but instruments of music in the house of God I abominate and abhor. This is the abuse of music; and here I register my protest against all such corruptions in the worship of the Author of Christianity. The late venerable and most eminent divine, the Revelation John Wesley, who was a lover of music, and an elegant poet, when asked his opinion of instruments of music being introduced into the chapels of the Methodists said, in his terse and powerful manner, "I have no objection to instruments of music in our chapels, provided they are neither Heard nor Seen." I say the same, though I think the expense of purchase had better be spared.

The word הפרטים happoretim, which we render chant, and the margin quaver, signifies to dance, to skip, etc. In the sight of such a text, fiddlers, drummers, waltzers, etc., may well tremble, who perform to excite detestable passions.

That chant to the sound of the viol,.... Or psaltery; an instrument of twelve cords, and that gave twelve sounds, as Josephus (x) says, being stricken with the fingers; and to these sounds these men chanted or quivered, made like sounds with their voice, which they raised higher or lower, according to the sound of the instrument: they "particularized", as the word signifies (y); or observed the divisions and distinctions of notes and sounds, by the modulation of their voice:

and invent to themselves instruments of music, like David: not content with old ones, such as were used in former times, they invented new instruments and new tunes, and new songs to sing to them; as David made songs and invented several instruments of music to sing them upon and to, in religious worship, and for the praise and glory of God; so these men invented new ones to indulge their carnal mirth and jollity, in which they thought themselves to be justified by the example of David.

(x) Antiqu. l. 7. c. 19. sect. 3.((y) "particularizantes", Montanus; "qui particularia habent cantica", Pagninus; "qui particulatim canunt", Vatablus, Mercerus; "variis modulationibus concinunt", Tigurine version.

That chant to the sound of the viol, and invent to themselves instruments of musick, like {e} David;

(e) As he caused different types of instruments to be made to serve God's glory, so these did strive to invent as many to serve their unrestrained affections and lusts.

6:5 That chant - That in a time of deep mourning entertain themselves with songs, and musical instruments.

chant: or, quaver

5. chant-literally, "mark distinct sounds and tones."

viol-the lyre, or lute.

invent . instruments . like David-They fancy they equal David in musical skill (1Ch 23:5; Ne 12:36). They defend their luxurious passion for music by his example: forgetting that he pursued this study when at peace and free from danger, and that for the praise of God; but they pursue for their own self-gratification, and that when God is angry and ruin is imminent.

6:1-7 Those are looked upon as doing well for themselves, who do well for their bodies; but we are here told what their ease is, and what their woe is. Here is a description of the pride, security, and sensuality, for which God would reckon. Careless sinners are every where in danger; but those at ease in Zion, who are stupid, vainly confident, and abusing their privileges, are in the greatest danger. Yet many fancy themselves the people of God, who are living in sin, and in conformity to the world. But the examples of others' ruin forbid us to be secure. Those who are set upon their pleasures are commonly careless of the troubles of others, but this is great offence to God. Those who placed their happiness in the pleasures of sense, and set their hearts upon them, shall be deprived of those pleasures. Those who try to put the evil day far from them, find it nearest to them.