This image's head was of fine gold - Chaldee, "good gold" - טב דהב dehab ṭâb - that is, fine, pure, unalloyed. The whole head of the figure, colossal as it was, appeared to be composed wholly of this. Had the "whole" image been made of gold, it would not have been so striking - for it was not uncommon to construct vast statues of this metal. Compare Daniel 3:1. But the remarkable peculiarity of this image was, that it was composed of different materials, some of which were seldom or never used in such a structure, and all of which had a peculiar significancy. On the significancy of this part of the figure, and the resemblance between this head of gold and Nebuchadnezzar himself, see the notes at Daniel 2:37-38.

His breast and his arms of silver - The word rendered "breast" (חדין chădı̂y) is in the plural number, in accordance with common usage in the Hebrew, by which several members of the human body are often expressed in the plural; as פנים pânı̂ym - "faces," etc. There is a foundation for such a usage in nature, in the two-fold form of many of the portions of the human body. The portion of the body which is here represented is obviously the upper portion of the front part - what is prominently visible when we look at the human frame. Next to the head it is the most important part, as it embraces most of the vital organs. Some degree of inferiority, as well as the idea of succession, would be naturally represented by this. "The inferior value of silver as compared with gold will naturally suggest some degree of decline or degeneracy in the character of the subject represented by the metal; and so in other members, as we proceed downward, as the material becomes continually baser, we naturally infer that the subject deteriorates, in some sense, in the like manner." - Professor Bush, in loc. On the kingdom represented by this, and the propriety of this representation, see the notes at Daniel 2:39.

His belly and his thighs of brass - Margin, "sides." It is not necessary to enter minutely into an examination of the words here used. The word "belly" denotes, unquestionably, the regions of the abdomen as externally visible. The word rendered "thighs" in the text is rendered "sides" in the margin. It is, like the word "breast" in the previous verse, in the plural number and for the same reason. The Hebrew word (ירך yârêk) is commonly rendered "thigh" in the Scriptures (Genesis 24:2, Genesis 24:9; Genesis 32:25 (26), 31, 32(32, 33), et al.), though it is also frequently rendered "side," Exodus 32:27; Exodus 40:22, Exodus 40:24; Leviticus 1:11; Numbers 3:29, et al. According to Gesenius, it denotes "the thick and double fleshy member which commences at the bottom of the spine, and extends to the lower legs." It is that part on which the sword was formerly worn, Exodus 32:27; Judges 3:16, Judges 3:21; Psalm 45:3 (4). It is also that part which was smitten, as an expression of mourning or of indignation, Jeremiah 31:19; Ezekiel 21:12 (17). Compare Hom. Iliad xii. 162, xv. 397; Odyssey xiii. 198; Cic. 150: "Orat." 80; "Quinc." xi. 3. It is not improperly here rendered "thighs," and the portion of the figure that was of brass was that between the breast and the lower legs, or extended from the breast to the knees. The word is elsewhere employed to denote the shaft or main trunk of the golden candlestick of the tabernacle, Exodus 25:31; Exodus 37:17; Numbers 8:4.

Of brass - An inferior metal, and denoting a kingdom of inferior power or excellence. On the kingdom represented by this, see the notes at Daniel 2:39.

Head was of fine gold - The Babylonish empire, the first and greatest.

Breast and his arms of silver - The Medo-Persian empire, under Cyrus, etc.

His belly and his thighs of brass - The Macedonian empire, under Alexander the Great, and his successors.

This image's head was of fine gold,.... The prophet begins with the superior part of this image, and descends to the lower, because of the order and condition of the monarchies it represents: this signifies the Babylonian monarchy, as afterwards explained; called the "head", being the first and chief of the monarchies; and compared to "fine gold", because of the glory, excellency, and duration of it:

his breast and his arms of silver; its two arms, including its hands and its breast, to which they were joined, were of silver, a metal of less value than gold; designing the monarchy of the Medes and Persians, which are the two arms, and which centred in Cyrus, who was by his father a Persian, by his mother a Mede; and upon whom, after his uncle's death, the whole monarchy devolved:

his belly and his thighs of brass; a baser metal still; this points at the Macedonian or Grecian monarchy, set up by Alexander, signified by the "belly", for intemperance and luxury; as the two "thighs" denote his principal successors, the Selucidae and Lagidae, the Syrian and Egyptian kings; and these of brass, because of the sounding fame of them, as Jerom.

The description of the image according to its several parts is introduced with the absolute צלמא הוּא, concerning this image, not: "this was the image." The pronoun הוּא is made prominent, as דּנה, Daniel 4:15, and the Hebr. זה more frequently, e.g., Isaiah 23:13. חדוהי, plural חדין - its singular occurs only in the Targums - corresponding with the Hebr. חזה, the breast. מצין, the bowels, here the abdomen enclosing the bowels, the belly. ירכה, the thighs (hfte) and upper part of the loins. Daniel 2:33. שׁק, the leg, including the upper part of the thigh. מנהון is partitive: part of it of iron. Instead of מנהון the Keri prefers the fem. מנהן here and at Daniel 2:41 and Daniel 2:42, with reference to this, that רגליו is usually the gen. fem., after the custom of nouns denoting members of the body that are double. The Kethiv unconditionally deserves the preference, although, as the apparently anomalous form, which appears with this suffix also in Daniel 7:8, Daniel 7:20, after substantives of seemingly feminine meaning, where the choice of the masculine form is to be explained from the undefined conception of the subjective idea apart from the sex; cf. Ewald's Lehr. d. hebr. Sp. 319.

The image appears divided as to its material into four or five parts - the head, the breast with the arms, the belly with the thighs, and the legs and feet. "Only the first part, the head, constitutes in itself a united whole; the second, with the arms, represents a division; the third runs into a division in the thighs; the fourth, bound into one at the top, divides itself in the two legs, but has also the power of moving in itself; the fifth is from the first divided in the legs, and finally in the ten toes runs out into a wider division. The material becomes inferior from the head downward - gold, silver, copper, iron, clay; so that, though on the whole metallic, it becomes inferior, and finally terminates in clay, losing itself in common earthly matter. Notwithstanding that the material becomes always the harder, till it is iron, yet then suddenly and at last it becomes weak and brittle clay." - Klief. The fourth and fifth parts, the legs and the feet, are, it is true, externally separate from each other, but inwardly, through the unity of the material, iron, are bound together; so that we are to reckon only four parts, as afterwards is done in the interpretation. This image Nebuchadnezzar was contemplating (Daniel 2:34), i.e., reflected upon with a look directed toward it, until a stone moved without human hands broke loose from a mountain, struck against the lowest part of the image, broke the whole of it into pieces, and ground to powder all its material from the head even to the feet, so that it was scattered like chaff of the summer thrashing-floor. בידין לא דּי does not mean: "which was not in the hands of any one" (Klief.), but the words are a prepositional expression for without; ב לא, not with equals without, and דּי expressing the dependence of the word on the foregoing noun. Without hands, without human help, is a litotes for: by a higher, a divine providence; cf. Daniel 8:25; Job 34:20; Lamentations 4:6. כּחדה, as one equals at once, with one stroke. דּקוּ for דּקּוּ is not intransitive or passive, but with an indefinite plur. subject: they crushed, referring to the supernatural power by which the crushing was effected. The destruction of the statue is so described, that the image passes over into the matter of it. It is not said of the parts of the image, the head, the breast, the belly, and the thighs, that they were broken to pieces by the stone, "for the forms of the world-power represented by these parts had long ago passed away, when the stone strikes against the last form of the world-power represented by the feet," but only of the materials of which these parts consist, the silver and the gold, is the destruction replicated; "for the material, the combinations of the peoples, of which these earlier forms of the world-power consist, pass into the later forms of it, and thus are all destroyed when the stone destroys the last form of the world-power" (Klief.). But the stone which brought this destruction itself became a great mountain which filled the whole earth. To this Daniel added the interpretation which he announces in Daniel 2:36. נאמר, we will tell, is "a generalizing form of expression" (Kran.) in harmony with Daniel 2:30. Daniel associates himself with his companions in the faith, who worshipped the same God of revelation; cf. Daniel 2:23.

This image's head was of fine {q} gold, his breast and his arms of silver, his belly and his thighs of brass,

(q) By gold, silver, brass, and iron are meant the Chaldean, Persian, Macedonian, and Roman kingdoms, which would successively rule all the world until Christ (who is here called the stone) himself comes, and destroys the last. And this was to assure the Jews that their affliction would not end with the empire of the Chaldeans, but that they should patiently await the coming of the Messiah, who would be at the end of this fourth monarchy.

thighs: or, sides

32. On ancient coins states are often represented by human figures. The head and higher parts signify the earlier times; the lower, the later times. The metals become successively baser and baser, implying the growing degeneracy from worse to worse. Hesiod, two hundred years before Daniel, had compared the four ages to the four metals in the same order; the idea is sanctioned here by Holy Writ. It was perhaps one of those fragments of revelation among the heathen derived from the tradition as to the fall of man. The metals lessen in specific gravity, as they downwards; silver is not so heavy as gold, brass not so heavy as silver, and iron not so heavy as brass, the weight thus being arranged in the reverse of stability [Tregelles]. Nebuchadnezzar derived his authority from God, not from man, nor as responsible to man. But the Persian king was so far dependent on others that he could not deliver Daniel from the princes (Da 6:14, 15); contrast Da 5:18, 19, as to Nebuchadnezzar's power from God, "whom he would he slew, and whom he would he kept alive" (compare Ezr 7:14; Es 1:13-16). Græco-Macedonia betrays its deterioration in its divisions, not united as Babylon and Persia. Iron is stronger than brass, but inferior in other respects; so Rome hardy and strong to tread down the nations, but less kingly and showing its chief deterioration in its last state. Each successive kingdom incorporates its predecessor (compare Da 5:28). Power that in Nebuchadnezzar's hands was a God-derived (Da 2:37, 38) autocracy, in the Persian king's was a rule resting on his nobility of person and birth, the nobles being his equals in rank, but not in office; in Greece, an aristocracy not of birth, but individual influence, in Rome, lowest of all, dependent entirely on popular choice, the emperor being appointed by popular military election.

2:31-45 This image represented the kingdoms of the earth, that should successively rule the nations, and influence the affairs of the Jewish church. 1. The head of gold signified the Chaldean empire, then in being. 2. The breast and arms of silver signified the empire of the Medes and Persians. 3. The belly and thighs of brass signified the Grecian empire, founded by Alexander. 4. The legs and feet of iron signified the Roman empire. The Roman empire branched into ten kingdoms, as the toes of these feet. Some were weak as clay, others strong as iron. Endeavours have often been used to unite them, for strengthening the empire, but in vain. The stone cut out without hands, represented the kingdom of our Lord Jesus Christ, which should be set up in the kingdoms of the world, upon the ruins of Satan's kingdom in them. This was the Stone which the builders refused, because it was not cut out by their hands, but it is become the head stone of the corner. Of the increase of Christ's government and peace there shall be no end. The Lord shall reign, not only to the end of time, but when time and days shall be no more. As far as events have gone, the fulfilling this prophetic vision has been most exact and undeniable; future ages shall witness this Stone destroying the image, and filling the whole earth.